bluelab is a developing non profit corporation providing transformative approaches to activist multi media art productions. bluelab will seek the participation of artists of all stripes-- along with spiritual teachers, concerned professionals and visionary citizens.
bluelab is morphing into a new collaborative art org which is being called Circa http://circart.blogspot.com/.

The writings will remain here and available for perusal. If you are interested in our new project and org you can email us and we will give you further information.

Thanks for your interest.

More to come.

http://www.triageart@yahoo.com/





“A growing consensus of scientists, scholars, and visionaries now recognizes that the earth community is facing an unprecedented evolutionary challenge. The ecological, political, and spiritual crisis of late modernity calls for a fundamental reorientation of our civilization, including a transformation of both the structures of our institutions and our own consciousness.
Thomas Berry has called this task ‘The Great Work.’


Finish what you've started here
You make your move
just once a year
In the city
in the town
Your happy home
is never found
Second hand
was never planned
The birth was over,
the baby banned
She fled the place
at such a pace
She never even saw your face
So go with me
Inside
Believe
You have so much to give

Switch the light off,
have a go
Force the only one you know
To leave this place
without a trace
A pity
I had seen your face
Where do you think
I will find
This party girl
who was so kind?
Raven hair
and skin so fair
Sadness
never visits there
So go with me
Inside
Believe
You have so much to give

the Delgados
Make Your Move

We didn't sleep too late.
There was a fire in the yard.
All of the tress were in light.
They had no faces to show.
I saw a sign in the sky:
Seven swans,
seven swans,
seven swans.
I heard a voice in my mind:
I will try, I will try, I will try. I will try, I will try, I will try.
We saw the dragon move down.
My father burned into coal.
My mother saw it from far.
She took her purse to the bed.
I saw a sign in the sky:
Seven horns, seven horns, seven horns.
I heard a voice in my mind:
I am Lord, I am Lord, I am Lord.
He said: I am Lord, I am Lord, I am Lord.
He said: I am Lord, I am Lord, I am Lord.
He will take you.
If you run,
He will chase you.
He will take you.
If you run,
He will chase you
'cause He is the Lord.
'Cause He is the Lord...
Seven swans, seven swans, seven swans, seven swans, seven swans...

Sufjan Stevens Seven Swans
“The question is no longer how did we get here, and why? But, where can we possibly go, and how? We live in a society that has drastically narrowed our sensitivity to moral and spiritual issues; the problem we face is how to deal with a belief structure that has blocked both psychological and spiritual development. If there is a new agenda, a new vision now emerging within our society, how might one help put it into practice?”
Suzi Gablik

...bluelab is being developed upon the issue first posed by Einstein, "a problem cannot be solved at the same level of consciousness in which it was created.” It has become evident to many that in order to meet the problems we face as a species we must embrace a radical revision of our beliefs and our behaviors.

bluelab functions upon the strong presumption that artists likely figure significantly into the revisioning of a new world—and the invention of ways to communicate our discoveries. As we all learn more and more about our essential interconnectedness it also becomes increasingly evident that artists can’t function in a social vacuum. The label of “artist” is a problematic one and only used as a signifier of persons with specific media skills and training who are fluent in creative processes and who have some professional link to art. We are working to deconstruct as much as possible the binary--"us vs. them" mentality that still pervades the high art world. It seems to us that consistent with new paradigmatic shifts taking placethroughout all fields--there is a need to reconsider our accepted definitions of "artist" and "audience" all together. bluelab is constructed to offer pathways into higher levels of inclusivity. It is only through true inclusion that we can hope to make work that is deeply inviting and that offers an atmosphere of true love and trust and safety to all.


In terms of the way bluelab will in fact function, we are working to develop a sound and effective approach to community building which relies heavily upon time tested processes that are well understood and are seeking the help of people who are expert in these processes. On practical levels, the sharing and cross fertilization of specific areas of expertise allows for rich and complex works which through communal process are fused unselfconsiously and intuitively making of an organic whole.

Why all the talk of “community”?It is our firm belief that by building works in a heightened communal space we will in fact be building works potent with transformational energies. Jung talked about the distinctions between “liminal”or

transformative space and “liminoid”, or works that are simply entertaining. With a hard look at where we are at as a species and planet—it seems like simple math that we must link art making to the real task at hand—that of saving the earth.



Jesus pushes it back to the edge. Can you even see the image of Christ in the least of the brothers and sisters? He uses that as his only description of the final judgement. Nothing about commandments, nothing about church attendance, nothing about papal infallibility: simply a matter of our ability to see. Can we see Christ in the people, the nobodies who can't play our game of success? They smell. They're a nuisance. They're on welfare. They are a drain on our tax money. If we can, then we are really seeing.

He pushes it even further than that. He says we have to love and recognize the divine image even in our enemies. He teaches what they thought a religious leader could never demand of his followers: love of the enemy. Logically that makes no sense. Soulfully it makes absolute sense, because in terms of the soul, it really is all or nothing. Either we see the divine image in all created things or we don't see it at all. Once we see it, we're trapped. We see it once and the circle keeps moving out. If we still try to exclude some: sick people, blacks, people on welfare, gays (or whomever we've decided to hate), we're not there. We don't understand. If the world is a temple, then our enemies are sacred, too. The ability to respect the outsider is probably the litmus test of true seeing. ...

Everything becomes enchanting...

Richard Rohr Everything Belongs
“[Suzi] Gablik speaks of the previous paradigm of the Enlightenment period and what it has meant to artists: ‘Individualism, freedom and self-expression are the great modernist buzz words.’ The notion that art could serve collective cultural needs rather than a personal quest for self-expression seems almost ‘presumptuous’ in that worldview. Yet this assumption lies at the base of a paradigm shift in art, a shift ‘from objects to relationships.’ Gablik challenges her coworkers not to settle for abstract theorizing in making this paradigm shift. She personalizes and therefore grounds the transformations that must be undergone when she insists that ‘the way to prepare the ground for a new paradigm shift is to make changes in one’s own life.’ Spirituality is about praxis, she is saying, not just theory.”
Matthew Fox, The Reinvention of Work
Being an artist carries with it a great potential and a great obligation...In a culture made up of images, sound, and stories created by artists who do not hold themselves accountable for that very culture, we have a set-up for destruction. Suzanne Lacy
Is it possible to create new spiritual structures for collaborative art making and to implement such toward community building with a depth of conviction, courage and inspiration that might move participants beyond self-interest toward truly new possibilities? Is it possible that with rigorous and focused processes artists could joyously make work engaging meaningfully with the specter of our global challenges while together exploring the uncharted territory of their souls? Can community building processes readily pour into art making wherein something meaningful and healing might evolve? Is it possible that these discoveries might be transmitted to the public at large through various new media shedding fresh light upon human potentials? Is it possible that all of this could dovetail with the efforts of important organizations such as The Global Justice Movement, Environmental Defense and Amnesty International toward a healthier and happier planet?

We say hopefully, yes.
What if artists were offered stipends, room and board allowing them to come together and to work intensively and without distraction for substantial blocks of time on film, music and real time performance collaborations? What if artists and thinkers could explore important issues in depth leading to transformational theater, installation, film and music? What if these artists were guided by experts through a structured community building process prior to beginning to create their projects? What if artists were given opportunity to work with and interact with some of the leaders of our time in the fields of art, science, and philosophy? What if these artists were given all the production equipment and technical assistance they might need to produce global quality shows? What if supporters and friends of our organization were given intimate amphitheater access to segments of our artists’ processes as well as early rehearsals, scheduled meals, activities and fellowship? What if the productions could be built and performed with some eventually touring the US and the world?
bluelab has been founded and created out of a perceived need to reconsider art making and professional collaborative art practice proceeding boldly from visionary prerogatives. We don’t find fault with the many artists who will not be drawn to what we are doing—for spiritual practice and its interface with collaborative art making are not for everyone.

In light of our present global endgame scenario it seems frivolous at best to argue over rhetorical issues. bluelab is intended for the “Great Work”--that of joining leaders of many fields worldwide who are engaged in the work of saving the earth. We believe that perhaps the only way to meet our present challenges is to deeply transform ourselves which implies the support of a real community and structured spiritual practice to be determined by each member for her or himself.

When serious professional artists are willing to embrace the rigors of authentic spiritual practice, the work of community building and heightened artistic collaboration will undoubtedly fall quickly into place.

The abundance of quotes from Sufi teachers have been included simply because they are part of my daily practice and do not infer a direct link between bluelab and Sufism. In point of fact, any serious spiritual practitioner must see that there can be no schism between the teachings of true Sufism and any sincere humanitarian interest. In the interest of those who may fear some sort of covert Islamic link, Sufism as it’s practiced and defined by and large in the West is Universalist in its orientation and in fact many Sufi’s roots are Christian and Jewish.

"It may be that when we no longer know what to do, we have come to our real work, and that when we no longer know which way to go, we have begun our real journey. The mind that is not baffled is not employed. The impeded stream is the one that sings." --Wendell Berry
"Emptiness feels empty not because there is nothing present, but because whatever it is we're doing has no egotistic interference. The subtle arteries have no ego plaque in them, nothing to resist the smooth flow of the soul. Without our getting in the way, the life of the soul is rich and full, though unpredictable. But it isn't easy to trust strong desire and the life that keeps pouring into us. We always think we know better what should be and how it should all turn out. That is why the death principle --avoiding, worrying, being moralistic--is so popular." Thomas Moore The Soul's Religion
"Becoming a person of deeply grounded and rich imagination may be more desirable than being healthy, politically savvy, or well informed."

Thomas Moore
All through Erikson’s work is the implication that the creative adult (the generative adult) is precisely the person who can infuse his life with play;…the great cultural synthesizers—the religious, political and cultural geniuses such as Luther, Freud and Gandhi—were supreme in their playfulness, especially in their work. Their great words of synthesis were personal attempts to restore the active mastery of their egos in the context of the tensions and dichotomies of their personal and public historical situations. All great historical syntheses are as much play as they are work. They are work because they are indeed attentive to the real contradictions and tensions that most people of a given historical period both sense and suffer. They are a result of play because the creative genius does not simply conform to, adjust to, and accommodate to these tensions. Instead, he bends and reshapes these tensions until they submit to a new synthesis which not only enlivens and activates him but which also enlivens and activates a whole people and an entire era.
“Some renaissance theologians worked hard at reconciling paganism with Judaism and Christianity. We have yet to achieve this détente that is essential to the life of the soul. Fragments of our hearts and minds are located in the garden of Gethsemane and in the garden of Epicurus, on the zodiac of the Apostles and on the zodiac of the animals, in the wine of Dionysus and in the wine of the Eucharist, in the psalms of David and in the hymns of Homer.

It is not a matter of belonging to a religion or professing one’s faith, it is a matter of orientation in life and participation in its mysteries.

We can all be pagan in our affirmation of all of life, Christian in our affirmation of communal love, Jewish in our affirmation of the sacredness of family, [Islamic in our affirmation of self-sacrifice,] [Hindu in our affirmation of the multiplicity of God's expression], Buddhist in our affirmation of emptiness, and Taoist in our affirmation of paradox.

The new monk wears invisible robes. Thomas Merton travels across the globe, and in the home of Eastern monks, dies. Isn’t this a myth for our time and about the resurrection of the monastic spirit!”

"The bringers of joy are the children of sorrow."
“Vulnerability, then, is not only the ability to risk being wounded but is most often made manifest by revealing our woundedness: our brokenness, our crippledness, our weaknesses, our failures and inadequacies. I do not think that Jesus walked vulnerably among the outcasts and crippled of the world purely as a sacrificial act. To the contrary, I suspect he did so because he preferred their company. It is only among the overtly imperfect that we can find community and only among the overtly imperfect nations of the world that we can find peace. Our imperfections are among the few things we human beings have in common….Indeed, only honest people can play a healing role in the world.”
M.Scott Peck, M.D., A Different Drum
"In and through community lies the salvation of the world."
M Scott Peck, MD
A Different Drum

“The significant problems we have cannot be solved at the same level of thinking we were at when we created them.” Albert Einstein
“If one wishes to change the world, one must first become that change.” Mohandas Gandhi
"In the very first chapter Thomas (Berry) lays before us 'The Great Work.' In each historical epoch, he says, people are given a “Great Work” to do—in one age, the settling of new lands, in another the building of great cathedrals, the creation of artistic, philosophical, religious or scientific works, or the shaping of political structures and ideas. The Great Works of prior periods are seen in such things as the movement of the first people out of Africa in the Paleolithic Period; the creation of language, rituals and social structures in hunter-gatherer communities; the establishment of agriculture communities in the Neolithic Period; the development of the great classical civilizations; and, in the modern period, advances in technology, urban civilization, new
ideals of government and human rights, the modern business enterprise and globalism.

Our Great Work is not something we choose, Thomas says. It is something we find ourselves thrown into by virtue only of being born in a certain time and place. The task may seem
overwhelming, one coming in response to some huge historical difficulty, but, he observes, just as we are given our historical task by some power beyond ourselves, we must also believe we are given the abilities to fulfill this task.
The Great Work into which we and our children are born, Thomas says, comes in response to
the devastation of the planet caused by human activity. We are facing a breakdown in the life
systems that can only be understood by comparison with events that marked the great transitions in the geo-biological eras of Earth’s history, such as the extinction of the dinosaurs and countless other species when the Mesozoic Era ended and our present Cenozoic Era began. Our task is to move from our modern industrial civilization with its devastating impact to that of benign presence. It is an arduous and overwhelming task, one exceeding in its complexity that ever offered to humans, for it is not simply one of adjustment to disturbance of human life patterns, as, for example, that occasioned by the Great Depression or the recent World Wars, but one of dealing with the disruption and termination of the geo-biological system that has governed the functioning of the planet in the 67 million year reign of the Cenozoic Era in the history of the planet Earth."
Ten Sufi Thoughts

from The Way of Illumination by Hazrat Inayat Khan

There are ten principal Sufi thoughts which comprise all the important subjects with which the inner life of man is concerned:
1) There is one God, the Eternal, the Only Being; none else exists save God.
2) There is one Master, the Guiding Spirit of all souls, who constantly leads all followers towards the light.
3) There is one Holy Book, the sacred manuscript of nature, which truly enlightens all readers.
4) There is one Religion, the unswerving progress in the right direction towards the ideal, which fulfils the life's purpose of every soul.
5) There is one Law, the law of Reciprocity, which can be observed by a selfless conscience together with a sense of awakened justice.
6) There is one human Brotherhood, the Brotherhood and Sisterhood which unites the children of earth indiscriminately in the Fatherhood (/Motherhood) of God.
7) There is one Moral Principle, the love which springs forth from self-denial, and blooms in deeds of beneficence.
8) There is one Object of Praise, the beauty which uplifts the heart of its worshipper through all aspects from the seen to the unseen.
9) There is one Truth, the true knowledge of our being within and without which is the essence of all wisdom.
10) There is one Path, the annihilation of the false ego in the real, which raises the mortal to immortality and in which resides all perfection.
The following are shared objectives for bluelab and were first articulated as such by Hazrat Inayat Khan who is credited as the first to bring Sufism to the West--in the early 20th century.



The objectives of the Sufi path:

1) To realize and spread the knowledge of unity, the religion of love and wisdom, so that the bias of faiths and beliefs may of itself fall away, the human heart may overflow with love, and all hatred caused by distinctions and differences may be rooted out.

2) To discover the light and power latent in man, the secret of all religion, the power of mysticism, and the essence of philosophy, without interfering with customs or belief.

3) To help to bring the world's two opposite poles, East and West, closer together by the interchange of thought and ideals that the Universal Brotherhood may form of itself and man may see with man beyond the narrow national and racial boundaries.



Friday, September 29, 2006

"Fortunately, Menninger’s was a rare place and had as much in common with a college as a hospital and I was allowed to walk to different buildings on their large and manicured grounds (under the supervision and guidance of techs and art and music therapists) study music, make paintings with professional quality materials, cast silver and use semiprecious stones like turquoise and to spend a lot of my extra time in a quiet and unencumbered environment. They say that in centuries gone by that troubled kids were sent to monasteries to grow up. In many ways Menninger’s was that sort of environment.

It was in the “community meetings” that I first experienced the miracle of true community. The doctors, nurses, activity therapists, psychologists, social workers, and technicians were from all over the world. To work at Menninger’s was considered an honor and these were people who came to work each day with real passion. Several of the staff displayed qualities that I have come to recognize as ecstatic, illumined, and even genius. I sat in rooms equally divided between some of the finest professionals in their fields and some of the most profoundly disturbed and tortured patients I’d ever encountered. Many of the young adults on our unit were childhood schizophrenics and had been in and out of institutions most of their lives. A few of us were fairly normal at first glance and some were quite gifted. So it was in these meetings of an hour or more with all of us sitting on chairs and couches and the floor filling a large meeting room that I witnessed so many things that have continued to have such a marked influence upon me.

I was for a time terrified of these meetings but I think I was so cut off from my own fear that initially I only recognized my desire to challenge and impress and taunt others. I had a huge ego and this was the first place I’d been where I felt that I was surrounded by worthy adversaries. These gatherings were largely unstructured. Anyone in the community was welcome to start the meetings and anyone—staff or patient was encouraged to speak up and to say what they felt about whatever the topic presented itself as. I gradually recognized that I was able to settle into this beautiful and subtle atmosphere of love, tolerance, and kindness that healed me deeply. There was something sublime about this unlikely mixture of human beings that opened me to a much deeper dimension of inter-personal possibility. The treators displayed such grace and poise and thoughtfulness even as they occasionally showed their own brokenness and weakness. Stereotypes and idiosyncrasies melted away revealing these amazingly vivid and tangible individual human beings. In the air one could often sense a palpable lightness and joy—even in the face of utter darkness.

Most of all when thinking of community, I remember the beloved section chief, Dr. Dean Collins. In the two years that I lived there as a long-term patient I never caught even a glimpse of disingenuity in that man. He was a tower of depth and awareness and fecundity. He was conversely accessibly squishy and Buddha like. He was soft-spoken but always rosy complected and potent. Occasionally there was chaos such as when once a fellow patient committed suicide on the unit. During the emergency community meeting the following day I noticed Dr. Collins sitting sage like and fully engaged, yet completely transcendent and compassionate. There were others times when I would be sitting alone in the cafeteria eating lunch or dinner and Dr. Collins would politely ask if he could join me. I never ever saw staff—especially doctors sitting with patients. He loved us as only a true saint could. My egotistical antics never seemed to faze him and I always felt warmly received by him in whatever the circumstances. It was his commitment to truth and his absolute integrity and clarity that sat the tone for the quality of our community. Years later in a video interview for a school project entitled, “The Return of the Soul”, he humbly disclosed to me that one of his proudest achievements had been his leadership in the development of the “team model” for the institution. He is one of the finest men I have ever known.

I eventually had what I have come to understand as several unitive experiences. Somehow, Grace blessed me with the willingness and capacity to release myself to this unknown and numinous presence I was coming to perceive. It was during this initial period of ecstatic consciousness that I first glimpsed some of the possibilities that I have come to call “triage.” The odyssey which began with a long and seemingly effortless drift into lost contemplative days and evenings was punctuated by an explosive light experience followed by 2 long and breathtaking weeks of ecstatic experience.

This was to become the defining period of my life. I felt that I was reborn and that suddenly my mind and perceptions were as clear as a child’s. The scales had fallen away and everything looked completely new. Sunlight flitted on the wind ruffled leaves of trees in the Kansas June in a way that seemed electric and rife with meaning. When I looked upon people around me, my heart was crushed by the weight of their pain and my compassion and love for them. I melted at the sheer innocence and fragility of human beings and with the sense of tragedy that seemed to counter their exquisite beauty. As I stood consciously in eternal awareness all was infused with unfathomable love. I knew as never before that all things of this physical world would ultimately pass away. Each moment was so filled with beauty and magic I had to return to my breath and to prayers to stay with it all. The edge of terror is the edge of ecstasy and the edge of death is the edge of creation and for a time I hovered there without effort. As though seeing a wall of thunderclouds overhead I looked up to see the eternal stream of mans intellectual and spiritual knowledge drift over me as I looked back to the dark horizon of the beginning of time. I sobbed with joy and anguish more than once.

One night I was dreaming that I was floating around in a whirlpool of light when suddenly I woke up next to my roommate Sam’s bed with my knees to the floor. He was sitting up looking at me pale with terror as he said, “Jeff, Jeff are you alright, are you alright? I don’t know if I was awake or dreaming but I looked up and saw you floating around in the air in this whirlpool of light!” I heard myself immediately say, “It’s the Holy Spirit.” I felt completely calm and composed and simply returned to my bed and to sleep.

One afternoon I looked up at the sky and it seemed a rare luminous blue like a sort of translucent turquoise or lapis. I was frozen for several moments in awe. This was the experience that led many years later to naming this organization’s predecessor “Blue Glass.” In searching for a name, I was reading The Tibetan Book of Living and Dying and ran across the concept called, “Rigpa.” I won’t get into all the subtle meanings of this word, but the idea of it is symbolized by the “Sky of the True Mind” as opposed to the “clouds of human ignorance and confusion.”

I somehow knew that the walls of belief systems that I’d been blocked by had collapsed like those of Jericho. I stood in radical amazement before the whole drama of creation feeling like a child suddenly delivered into the sunlight from the dark and hopeless toil of a third world factory. Somehow I knew that I wanted to share this sense of liberation that I’d been blessed with.

In one vision, I saw a stage. It looked like the stage was perhaps 10 feet tall and on the front of it I saw a 3-leaf clover pattern formed out of light. The experience filled me with a tremendous sense of responsibility and it seemed that I was witnessing something outside the envelope of space and time fully developed and real. On the stage I saw a group of performers of which I was one. I felt completely overwhelmed with the experience and was left with a quaking sense of inadequacy in terms of the scale and magnitude of the spectacle in contrast to my own sense of brokenness and uncertainty. I felt I was being shown my future. I anguished as I seemed to stand in a vortex between different dimensions, at once joyous and elated and honored while simultaneously ripped apart by my overwhelming sense of the scale and mystery and shock of a whole new level of consciousness of which I’d never dreamed." from Memoirs of a Dervish


Being an artist carries with it a great potential and a great obligation...In a culture made up of images, sound, and stories created by artists who do not hold themselves accountable for that very culture, we have a set-up for destruction. Suzanne Lacy

Toward the One, the perfection of Love, Harmony and Beauty, the Only Being, united with all the illuminated souls who form the embodiment of the Message, the Spirit of Guidance.