bluelab is a developing non profit corporation providing transformative approaches to activist multi media art productions. bluelab will seek the participation of artists of all stripes-- along with spiritual teachers, concerned professionals and visionary citizens.
bluelab is morphing into a new collaborative art org which is being called Circa http://circart.blogspot.com/.

The writings will remain here and available for perusal. If you are interested in our new project and org you can email us and we will give you further information.

Thanks for your interest.

More to come.

http://www.triageart@yahoo.com/





“A growing consensus of scientists, scholars, and visionaries now recognizes that the earth community is facing an unprecedented evolutionary challenge. The ecological, political, and spiritual crisis of late modernity calls for a fundamental reorientation of our civilization, including a transformation of both the structures of our institutions and our own consciousness.
Thomas Berry has called this task ‘The Great Work.’


Finish what you've started here
You make your move
just once a year
In the city
in the town
Your happy home
is never found
Second hand
was never planned
The birth was over,
the baby banned
She fled the place
at such a pace
She never even saw your face
So go with me
Inside
Believe
You have so much to give

Switch the light off,
have a go
Force the only one you know
To leave this place
without a trace
A pity
I had seen your face
Where do you think
I will find
This party girl
who was so kind?
Raven hair
and skin so fair
Sadness
never visits there
So go with me
Inside
Believe
You have so much to give

the Delgados
Make Your Move

We didn't sleep too late.
There was a fire in the yard.
All of the tress were in light.
They had no faces to show.
I saw a sign in the sky:
Seven swans,
seven swans,
seven swans.
I heard a voice in my mind:
I will try, I will try, I will try. I will try, I will try, I will try.
We saw the dragon move down.
My father burned into coal.
My mother saw it from far.
She took her purse to the bed.
I saw a sign in the sky:
Seven horns, seven horns, seven horns.
I heard a voice in my mind:
I am Lord, I am Lord, I am Lord.
He said: I am Lord, I am Lord, I am Lord.
He said: I am Lord, I am Lord, I am Lord.
He will take you.
If you run,
He will chase you.
He will take you.
If you run,
He will chase you
'cause He is the Lord.
'Cause He is the Lord...
Seven swans, seven swans, seven swans, seven swans, seven swans...

Sufjan Stevens Seven Swans
“The question is no longer how did we get here, and why? But, where can we possibly go, and how? We live in a society that has drastically narrowed our sensitivity to moral and spiritual issues; the problem we face is how to deal with a belief structure that has blocked both psychological and spiritual development. If there is a new agenda, a new vision now emerging within our society, how might one help put it into practice?”
Suzi Gablik

...bluelab is being developed upon the issue first posed by Einstein, "a problem cannot be solved at the same level of consciousness in which it was created.” It has become evident to many that in order to meet the problems we face as a species we must embrace a radical revision of our beliefs and our behaviors.

bluelab functions upon the strong presumption that artists likely figure significantly into the revisioning of a new world—and the invention of ways to communicate our discoveries. As we all learn more and more about our essential interconnectedness it also becomes increasingly evident that artists can’t function in a social vacuum. The label of “artist” is a problematic one and only used as a signifier of persons with specific media skills and training who are fluent in creative processes and who have some professional link to art. We are working to deconstruct as much as possible the binary--"us vs. them" mentality that still pervades the high art world. It seems to us that consistent with new paradigmatic shifts taking placethroughout all fields--there is a need to reconsider our accepted definitions of "artist" and "audience" all together. bluelab is constructed to offer pathways into higher levels of inclusivity. It is only through true inclusion that we can hope to make work that is deeply inviting and that offers an atmosphere of true love and trust and safety to all.


In terms of the way bluelab will in fact function, we are working to develop a sound and effective approach to community building which relies heavily upon time tested processes that are well understood and are seeking the help of people who are expert in these processes. On practical levels, the sharing and cross fertilization of specific areas of expertise allows for rich and complex works which through communal process are fused unselfconsiously and intuitively making of an organic whole.

Why all the talk of “community”?It is our firm belief that by building works in a heightened communal space we will in fact be building works potent with transformational energies. Jung talked about the distinctions between “liminal”or

transformative space and “liminoid”, or works that are simply entertaining. With a hard look at where we are at as a species and planet—it seems like simple math that we must link art making to the real task at hand—that of saving the earth.



Jesus pushes it back to the edge. Can you even see the image of Christ in the least of the brothers and sisters? He uses that as his only description of the final judgement. Nothing about commandments, nothing about church attendance, nothing about papal infallibility: simply a matter of our ability to see. Can we see Christ in the people, the nobodies who can't play our game of success? They smell. They're a nuisance. They're on welfare. They are a drain on our tax money. If we can, then we are really seeing.

He pushes it even further than that. He says we have to love and recognize the divine image even in our enemies. He teaches what they thought a religious leader could never demand of his followers: love of the enemy. Logically that makes no sense. Soulfully it makes absolute sense, because in terms of the soul, it really is all or nothing. Either we see the divine image in all created things or we don't see it at all. Once we see it, we're trapped. We see it once and the circle keeps moving out. If we still try to exclude some: sick people, blacks, people on welfare, gays (or whomever we've decided to hate), we're not there. We don't understand. If the world is a temple, then our enemies are sacred, too. The ability to respect the outsider is probably the litmus test of true seeing. ...

Everything becomes enchanting...

Richard Rohr Everything Belongs
“[Suzi] Gablik speaks of the previous paradigm of the Enlightenment period and what it has meant to artists: ‘Individualism, freedom and self-expression are the great modernist buzz words.’ The notion that art could serve collective cultural needs rather than a personal quest for self-expression seems almost ‘presumptuous’ in that worldview. Yet this assumption lies at the base of a paradigm shift in art, a shift ‘from objects to relationships.’ Gablik challenges her coworkers not to settle for abstract theorizing in making this paradigm shift. She personalizes and therefore grounds the transformations that must be undergone when she insists that ‘the way to prepare the ground for a new paradigm shift is to make changes in one’s own life.’ Spirituality is about praxis, she is saying, not just theory.”
Matthew Fox, The Reinvention of Work
Being an artist carries with it a great potential and a great obligation...In a culture made up of images, sound, and stories created by artists who do not hold themselves accountable for that very culture, we have a set-up for destruction. Suzanne Lacy
Is it possible to create new spiritual structures for collaborative art making and to implement such toward community building with a depth of conviction, courage and inspiration that might move participants beyond self-interest toward truly new possibilities? Is it possible that with rigorous and focused processes artists could joyously make work engaging meaningfully with the specter of our global challenges while together exploring the uncharted territory of their souls? Can community building processes readily pour into art making wherein something meaningful and healing might evolve? Is it possible that these discoveries might be transmitted to the public at large through various new media shedding fresh light upon human potentials? Is it possible that all of this could dovetail with the efforts of important organizations such as The Global Justice Movement, Environmental Defense and Amnesty International toward a healthier and happier planet?

We say hopefully, yes.
What if artists were offered stipends, room and board allowing them to come together and to work intensively and without distraction for substantial blocks of time on film, music and real time performance collaborations? What if artists and thinkers could explore important issues in depth leading to transformational theater, installation, film and music? What if these artists were guided by experts through a structured community building process prior to beginning to create their projects? What if artists were given opportunity to work with and interact with some of the leaders of our time in the fields of art, science, and philosophy? What if these artists were given all the production equipment and technical assistance they might need to produce global quality shows? What if supporters and friends of our organization were given intimate amphitheater access to segments of our artists’ processes as well as early rehearsals, scheduled meals, activities and fellowship? What if the productions could be built and performed with some eventually touring the US and the world?
bluelab has been founded and created out of a perceived need to reconsider art making and professional collaborative art practice proceeding boldly from visionary prerogatives. We don’t find fault with the many artists who will not be drawn to what we are doing—for spiritual practice and its interface with collaborative art making are not for everyone.

In light of our present global endgame scenario it seems frivolous at best to argue over rhetorical issues. bluelab is intended for the “Great Work”--that of joining leaders of many fields worldwide who are engaged in the work of saving the earth. We believe that perhaps the only way to meet our present challenges is to deeply transform ourselves which implies the support of a real community and structured spiritual practice to be determined by each member for her or himself.

When serious professional artists are willing to embrace the rigors of authentic spiritual practice, the work of community building and heightened artistic collaboration will undoubtedly fall quickly into place.

The abundance of quotes from Sufi teachers have been included simply because they are part of my daily practice and do not infer a direct link between bluelab and Sufism. In point of fact, any serious spiritual practitioner must see that there can be no schism between the teachings of true Sufism and any sincere humanitarian interest. In the interest of those who may fear some sort of covert Islamic link, Sufism as it’s practiced and defined by and large in the West is Universalist in its orientation and in fact many Sufi’s roots are Christian and Jewish.

"It may be that when we no longer know what to do, we have come to our real work, and that when we no longer know which way to go, we have begun our real journey. The mind that is not baffled is not employed. The impeded stream is the one that sings." --Wendell Berry
"Emptiness feels empty not because there is nothing present, but because whatever it is we're doing has no egotistic interference. The subtle arteries have no ego plaque in them, nothing to resist the smooth flow of the soul. Without our getting in the way, the life of the soul is rich and full, though unpredictable. But it isn't easy to trust strong desire and the life that keeps pouring into us. We always think we know better what should be and how it should all turn out. That is why the death principle --avoiding, worrying, being moralistic--is so popular." Thomas Moore The Soul's Religion
"Becoming a person of deeply grounded and rich imagination may be more desirable than being healthy, politically savvy, or well informed."

Thomas Moore
All through Erikson’s work is the implication that the creative adult (the generative adult) is precisely the person who can infuse his life with play;…the great cultural synthesizers—the religious, political and cultural geniuses such as Luther, Freud and Gandhi—were supreme in their playfulness, especially in their work. Their great words of synthesis were personal attempts to restore the active mastery of their egos in the context of the tensions and dichotomies of their personal and public historical situations. All great historical syntheses are as much play as they are work. They are work because they are indeed attentive to the real contradictions and tensions that most people of a given historical period both sense and suffer. They are a result of play because the creative genius does not simply conform to, adjust to, and accommodate to these tensions. Instead, he bends and reshapes these tensions until they submit to a new synthesis which not only enlivens and activates him but which also enlivens and activates a whole people and an entire era.
“Some renaissance theologians worked hard at reconciling paganism with Judaism and Christianity. We have yet to achieve this détente that is essential to the life of the soul. Fragments of our hearts and minds are located in the garden of Gethsemane and in the garden of Epicurus, on the zodiac of the Apostles and on the zodiac of the animals, in the wine of Dionysus and in the wine of the Eucharist, in the psalms of David and in the hymns of Homer.

It is not a matter of belonging to a religion or professing one’s faith, it is a matter of orientation in life and participation in its mysteries.

We can all be pagan in our affirmation of all of life, Christian in our affirmation of communal love, Jewish in our affirmation of the sacredness of family, [Islamic in our affirmation of self-sacrifice,] [Hindu in our affirmation of the multiplicity of God's expression], Buddhist in our affirmation of emptiness, and Taoist in our affirmation of paradox.

The new monk wears invisible robes. Thomas Merton travels across the globe, and in the home of Eastern monks, dies. Isn’t this a myth for our time and about the resurrection of the monastic spirit!”

"The bringers of joy are the children of sorrow."
“Vulnerability, then, is not only the ability to risk being wounded but is most often made manifest by revealing our woundedness: our brokenness, our crippledness, our weaknesses, our failures and inadequacies. I do not think that Jesus walked vulnerably among the outcasts and crippled of the world purely as a sacrificial act. To the contrary, I suspect he did so because he preferred their company. It is only among the overtly imperfect that we can find community and only among the overtly imperfect nations of the world that we can find peace. Our imperfections are among the few things we human beings have in common….Indeed, only honest people can play a healing role in the world.”
M.Scott Peck, M.D., A Different Drum
"In and through community lies the salvation of the world."
M Scott Peck, MD
A Different Drum

“The significant problems we have cannot be solved at the same level of thinking we were at when we created them.” Albert Einstein
“If one wishes to change the world, one must first become that change.” Mohandas Gandhi
"In the very first chapter Thomas (Berry) lays before us 'The Great Work.' In each historical epoch, he says, people are given a “Great Work” to do—in one age, the settling of new lands, in another the building of great cathedrals, the creation of artistic, philosophical, religious or scientific works, or the shaping of political structures and ideas. The Great Works of prior periods are seen in such things as the movement of the first people out of Africa in the Paleolithic Period; the creation of language, rituals and social structures in hunter-gatherer communities; the establishment of agriculture communities in the Neolithic Period; the development of the great classical civilizations; and, in the modern period, advances in technology, urban civilization, new
ideals of government and human rights, the modern business enterprise and globalism.

Our Great Work is not something we choose, Thomas says. It is something we find ourselves thrown into by virtue only of being born in a certain time and place. The task may seem
overwhelming, one coming in response to some huge historical difficulty, but, he observes, just as we are given our historical task by some power beyond ourselves, we must also believe we are given the abilities to fulfill this task.
The Great Work into which we and our children are born, Thomas says, comes in response to
the devastation of the planet caused by human activity. We are facing a breakdown in the life
systems that can only be understood by comparison with events that marked the great transitions in the geo-biological eras of Earth’s history, such as the extinction of the dinosaurs and countless other species when the Mesozoic Era ended and our present Cenozoic Era began. Our task is to move from our modern industrial civilization with its devastating impact to that of benign presence. It is an arduous and overwhelming task, one exceeding in its complexity that ever offered to humans, for it is not simply one of adjustment to disturbance of human life patterns, as, for example, that occasioned by the Great Depression or the recent World Wars, but one of dealing with the disruption and termination of the geo-biological system that has governed the functioning of the planet in the 67 million year reign of the Cenozoic Era in the history of the planet Earth."
Ten Sufi Thoughts

from The Way of Illumination by Hazrat Inayat Khan

There are ten principal Sufi thoughts which comprise all the important subjects with which the inner life of man is concerned:
1) There is one God, the Eternal, the Only Being; none else exists save God.
2) There is one Master, the Guiding Spirit of all souls, who constantly leads all followers towards the light.
3) There is one Holy Book, the sacred manuscript of nature, which truly enlightens all readers.
4) There is one Religion, the unswerving progress in the right direction towards the ideal, which fulfils the life's purpose of every soul.
5) There is one Law, the law of Reciprocity, which can be observed by a selfless conscience together with a sense of awakened justice.
6) There is one human Brotherhood, the Brotherhood and Sisterhood which unites the children of earth indiscriminately in the Fatherhood (/Motherhood) of God.
7) There is one Moral Principle, the love which springs forth from self-denial, and blooms in deeds of beneficence.
8) There is one Object of Praise, the beauty which uplifts the heart of its worshipper through all aspects from the seen to the unseen.
9) There is one Truth, the true knowledge of our being within and without which is the essence of all wisdom.
10) There is one Path, the annihilation of the false ego in the real, which raises the mortal to immortality and in which resides all perfection.
The following are shared objectives for bluelab and were first articulated as such by Hazrat Inayat Khan who is credited as the first to bring Sufism to the West--in the early 20th century.



The objectives of the Sufi path:

1) To realize and spread the knowledge of unity, the religion of love and wisdom, so that the bias of faiths and beliefs may of itself fall away, the human heart may overflow with love, and all hatred caused by distinctions and differences may be rooted out.

2) To discover the light and power latent in man, the secret of all religion, the power of mysticism, and the essence of philosophy, without interfering with customs or belief.

3) To help to bring the world's two opposite poles, East and West, closer together by the interchange of thought and ideals that the Universal Brotherhood may form of itself and man may see with man beyond the narrow national and racial boundaries.



Sunday, November 19, 2006


"Getting Along Together: Communitas and the Challenge of Pluralism"
by David Goff, Ph.D.


David Goff, Ph.D., teaches at the Institute of Transpersonal Psychology where he employs large group processes to promote community and personal development. His graduate research into the "psychological sense of community," is the first study to describe psychological dimensions of group consciousness. In addition to his writing and on-going research, he directs A Foundation for Interdependence which is dedicated to developing a psychology of interdependence. The Foundation integrates mainstream psychotherapy, transpersonal psychology, and new social learning technologies to create learning communities which catalyze personal empowerment and cultural transformation. The Foundation offers workshops, training seminars, on-going groups, social rituals and organizational consultation. Additionally, he practices psychotherapy in Palo Alto, California.

David Goff is a memeber of the board of advisors for bluelab


Amidst the mayhem and destruction of the Los Angeles riots in 1992, Rodney King expressed what may be a core question for our time: "People, can't we all just get along?" His plea gives voice to the urgent need we have to cooperate as well as to the uncertainty we feel about our capacity to do so. We now live with extraordinary cultural and ethnic complexities which arouse fear and mistrust. Never before has humanity faced the challenge of creating a sense of community that includes such great diversity. The life of the planet and of future generations may depend upon how we respond to King's question.
Can we all get along? It is clear that we don't. One does not have to look solely at racial, ethnic, and religious hostilities to confirm this perception. The national rates of divorce and domestic violence dramatically convey the tensions that abide at the heart of our daily interactions. An honest appraisal of the distance and distrust that separates us from neighbors and co-workers reflects this perception as well. This is a grievous truth of life in America.
The tension that exists within American culture can also be seen operating globally. The Carter Center is currently monitoring 124 wars worldwide. The preponderance are civil wars, occurring between neighboring and often related peoples and manifesting atrocities such as those associated with Bosnia, Somalia and Ruanda. Another disturbing facet of how we behave in relationship with other forms of life is revealed by our abuse of the planetary environment. Much of the concern about the sustainability of human culture and our endangered biosystem revolves around our inability to get along with otherness, be it human or non-human.
How have we come to be here? Despite the best intentions of the pilgrims who pledged at Plymouth Rock to live "as members of the same body," the American way emphasizes the rights and privileges of the individual. This great nation was born by freeing individuals to pursue their own forms of happiness and self-expression. Now it is threatened by it's own success. By sacrificing a sense of the common good, America provides fertile ground for narcissism, alienation, isolationism, and fear of anyone who is significantly different.
This continuing emphasis upon individualism conflicts with our critical need for connection and commitment to one another. Our inability to get along leads to cultural and political gridlock. Modern ecological and geopolitical issues are complex, and involve large systems that require sustained collective attention, yet our mistrust of otherness retards our ability to respond collectively. The dilemmas we now face ask us to care for the good of the whole as we care for the good of our selves.
How do we achieve this development? When we turn toward traditional concepts of community for guidance we see that community has been associated with long-standing relationships which occur among people who share a geographical location and a common worldview. These communities are distinguished by the common values they hold, by the norms they create to implement those values, and by the shared means they employ to survive and thrive. In the language of sociology these communities would be referred to as "communities of affinity." Organized around shared values, they demonstrate cooperation and the power of unifying principles.
At the same time, however, these communities of affinity contain seeds of the very dilemma which now threatens our cultural and biological survival. In our multiethnic and multicultural society we are overwhelmed with a diversity and complexity which traditional communities have never had to embrace. If we adhere to traditional approaches we are quickly stymied by the inevitable question: Whose values are the "right" values? Whose principles will determine the organization of society? This question, laden with the struggle for cultural identity and ideological supremacy, fuels much of the conflict now ravaging the planet.
An answer to King's question does not lie in communities based upon similarities. A new basis for community is needed: one that values diversity and confirms the integrity of multiple co-existing realities, and that is based upon a palpable experience of how profoundly connected we all are. This form of community could be described as a shared experience of interconnection, as social communion, or as a collective state of consciousness.
Over the last several years my research has identified large group processes which appear to generate such experiences of a unitive state of consciousness. I have labeled this state of consciousness "communitas," a term borrowed from cultural anthropologist Victor Turner. Fascinated by the collective rituals of indigenous peoples, Turner noted that these rites generated a form of social communion. He called this "communitas" and his observations provided the vision which informed my research.
Turner observed that these communal processes created a "ritual space" that existed outside of the normal cultural context. He employed the term "liminality," derived from the Latin word limen, meaning threshold, to describe this central aspect of the ritual process. He described liminality as "anti-structural," meaning that in ritual space, cultural structures dissolved, and all forms of identity conferred by cultural status also dissipate. In this space "betwixt and between" the usual social structures, ritual participants met one another as whole and equal beings to examined their relationships and culture.
Turner also described the "liminal zone" as an empty space. Communitas emerges as equal individuals collectively submit to the ordeal associated with having no status, no role, no mitigating or mediating structure to temper their encounter with the human dilemma. Communitas was described as sacred and holy, and as being suffused with a renewing and generative power. These perceptions led Turner to assert that cultural transformation could be attributed to the impact of communitas upon collectives.
Turner's descriptions of ritual liminality provided useful criteria for identifying contemporary group intensives which might generate experiences of communitas. One such group intensive is the Community Building Workshop, developed by M. Scott Peck and The Foundation for Community Encouragement. The workshop is a large group intensive that often involves fifty or more participants. It usually occurs over three full days. It is totally experiential. The sole task of the participants is to create an experience of community: toward this end, they sit in a large circle and interact.
Two trained leaders facilitate the experience; they provide simple guidelines which include: listen deeply, speak when you feel moved to speak, use "I-messages," practice inclusivity, observe how you maintain separation, and share responsibility for the outcome of the workshop. Facilitation includes the use of silence, teaching stories, re-emphasizing the guidelines, and brief feedback to the group as a whole.
According to Peck, the workshop proceeds through four phases: psuedo-community, chaos, emptiness and community. The initial stage of the process, psuedo-community, is marked by congenial, comfortable and polite interactions. These interactions avoid conflict and preserve a superficial sense of harmony.
Chaos emerges when differences come into the open and attempts are made to establish what is appropriate behavior in the group. As different opinions emerge, group members attempt to ignore or change each other's positions. This process leads to tension and distrust. This chaotic phase reveals a struggle for power in the group — the same dynamic which occurs in our larger culture —resulting in fear, hatred, and withdrawal. The chaos phase constellates on a small scale the cultural crisis which is being played out in the streets of our cities and within the halls of our government. In the workshop participants are confronted with the stark realization that, despite their intentions, they themselves are sources of this terrible dilemma.
In Peck's model there are two ways out of the chaotic phase. Both work, but only one leads to community. The group can organize it's way out of chaos (and it's chance for community) by choosing a task to focus on, a member to "heal," or a subgroup to scapegoat. Or it can "empty" itself of the expectations, preconceptions, and prejudices which prevent community from emerging.
Emptiness calls for a form of dying. Group members create a space for community by voluntarily sacrificing their needs to be right, to be in control, and to remain invulnerable. The members surrender their methods for protecting themselves from personal and existential vulnerability. Community emerges as vulnerability increases and as group members surrender their expectations and enter the unknown together.
My research involved surveying and analyzing the reported experiences of over 200 participants in a number of these workshops. Using a statistical method known as factor analysis, the results revealed three primary factors which describe the participant's experience. These factors were labeled: "a sense of community," "the experience of otherness," and "the sense of the human existential dilemma."
The "sense of community" factor reveals that many participants shared what they described as an important and profound experience. This experience included a shift of consciousness to an enlarged sense of self. This shift was accompanied by strong feelings of peace and tranquility. Those who scored high on this factor reported a strong sense of connection, and feelings of compassion and kindness for each other. This experience included transpersonal features such as a sense of unity, feelings of sacredness, an ineffable quality, and a sense of timelessness. In essence, participants reported experiencing a collective shift into a unitive state of consciousness.
Remarkably, this shift in consciousness occurred despite a high degree of awareness of the differences, or "experience of otherness," that the group included. The experience was reported to be painful and disturbing; it included feelings of annoyance, resentment, alienation, distrust and conflict with others in the workshop. These same participants also reported awareness that they were judging others, and that their beliefs about these others, or themselves, created distance. This factor highlights the difficulties associated with the encounter with differences, personal and cultural.
The third factor, "the sense of the human existential dilemma,” shows that the workshop resolves these difficult feelings, and preserves the diversity of the group, by providing a mutual experience of humankind's underlying existential vulnerability. Those scoring high on this factor indicated recognition of the degree of human uncertainty, of how limited humans are, and of how vulnerable others are. Participants also recognized the desire to avoid feeling the pain and uncertainty that is part of human life. They reported that awareness of this level of shared vulnerability engendered compassionate feelings and an emotional sense of connection.
This quantitative and qualitative study, entitled "An Exploratory Study of the Existential and Transpersonal Dimensions of the Psychological Sense of Community as Found in The Community Building Workshop™," was conducted in the spring of 1991. A 98 item questionnaire was constructed and administered to a pool of 539 workshop graduates living in California. There were a total of 234 respondents.
The survey items included forty-four descriptive statements which were generated from a synthesis of the phenomenological and affective elements described in the literature of group processes reported to lead to a sense of community. The results of these 44 items were subjected to a principle components factor analysis designed to identify the elements of the participants' experiences which offered the greatest explanatory value as descriptors of that experience.
This method extracted a total of six factors which were labeled as follows: Sense of Community, Sense of Otherness, Sense of Human Existential Dilemma, Sense of Engagement, Sense of Personal Existential Dilemma, and Sense of a Difficult Experience. Items describing previous experiences, the impact of the workshop, and the demography of the subject population, were also examined for correlation with these factors.
The findings showed that the central experience produced by the workshop was a collective shift of consciousness toward a unitive state. This shift coincided with a collective experience of existential vulnerability catalyzed by the difficulties associated with an experience of otherness. This state was described as including powerful feelings, a strong sense of emotional connection, an enlarged sense of self, an extension of kindness and compassion toward others. It included mystical features described as: feelings of sacredness, an experience of union with a larger whole (including the persons with whom the experience was shared), and the experience of having participated in something that was paradoxical and difficult to communicate in words.
The experience positively impacted upon the respondents' feelings of connection with others and the larger processes of life. The respondents reported that their experience of this collective shift into a unitive state of consciousness had a transformative effect upon their trust in others, sense of purpose and hope for the future.
The findings of this study show that large groups can integrate diversity and survive the difficult tensions that accompany the presence of otherness, that this becomes possible when the group shares an experience of human vulnerability, and that this catalyzes the emergence of a collective state of consciousness. The results demonstrate that large groups can generate experiences which make recognition of our interrelatedness palpable and provide confirmation of our underlying social and ecological interdependence. The study also reveals that transpersonal experiences of an enlarged sense of self can occur at system levels beyond the individual.
These findings have important implications for psychology and for the practice of psychotherapy. By establishing that large groups can address the tensions that create and sustain cultural issues, the way is paved for a new form of psychology — a psychology of interdependence. This psychology, founded upon direct experience of the underlying interconnectedness of life, recognizes that individuals suffer in a culture that denies interrelatedness. Such suffering bears important feedback about cultural processes that need to be transformed.
Understanding that large groups represent a microcosm of the culture at large, this emerging psychology attends to the suffering associated with cultural tensions. It explores and examines the psychological and the cultural dynamics which create racism, ethnic distrust, homelessness, and our abusive relationship with the environment. As a transpersonal psychology it assists collectives through developmental steps, while educating individuals about how they contribute to this transition. Thus, this psychology treats individuals and the culture simultaneously.
This new psychological perspective is emerging from many sources. A number of independent practitioners are pioneering the development of new models, techniques, and practices which address our ability to get along together. British Psychiatrist Patrick de Mare refers to the beneficial effects these processes generate as "socio-therapy." De Mare reports that groups uncover the underlying dynamics that generate cultural structures by employing "dialogue," a form of collective free association. This method brings to awareness the basic assumptions that shape a group's interactions. It makes explicit the ideological basis for the sub-groups and cultural structures which separate, divide, and create conflict.
Physicist David Bohm, renowned for his theory of a holographic universe, developed the practice of group dialogue over a twenty year span. Viewing dialogue as culturally transformative, he described it as a method for achieving "group mindfulness." With practice, groups achieve a sense of impersonal fellowship and group consciousness. In this state it is possible to examine cultural assumptions and to witness the effects that such collective thoughts produce. Bohm and De Mare both insist that the individual and the society can be simultaneously humanized by the use of group dialogue.
Arnold Mindell, founder of the Global Process Institute, has developed a process oriented form of psychotherapy which he applies to working with groups sometimes numbering in the hundreds. He addresses cultural conflicts such as racial and ethnic tension through processes designed to make a group's collective unconscious more conscious. To Mindell, every group generates a "field" of information which impacts upon the behavior of the group and every group participates in cultural fields. By rendering the contents of these fields conscious and working with the conflicts inherent in them, his work models "deep democracy," a more inclusive form of participation in our underlying interrelatedness.
Businesses are being increasingly viewed as "learning communities" where collective processes can be practiced that benefit the development of the participating individuals, the organization, and the larger culture. The rapidly changing business climate has made it imperative that organizations adapt quickly and efficiently. The need for such flexibility and responsiveness has led to innovative methods for working with collective processes. Management and organizational development experts, such as MIT professor Peter Senge, are experimenting with techniques that emphasize systems thinking, dialogue, shared vision, and total participation.
These new practices, employing a larger context to focus upon cultural dynamics, offer a timely response to the concerns of those who have been critical of psychotherapy's effectiveness as an agent for social change. These concerns focus on the "one-to-one" emphasis in therapeutic practice, and its limitations in addressing mass disorders, such as addiction, environmental illness, and domestic violence. Healing in the therapeutic context is seen as an "inner" experience. By emphasizing the subjective experience of the client, it reinforces individualism and isolation. This leads to cultural passivity rather than political and social action. James Hillman suggests that self should be re-defined so that it becomes more inclusive, that self should be seen as an "interiorization of community."
Critics concerned with the environment are arguing for a therapeutic perspective that views the person and the planet as part of a single continuum. To them, successful treatment must incorporate the needs of life as a whole. Believing that the pain of the ecosystem is being expressed through our private emotional and spiritual anguish, they are concerned that this travail cannot be effectively understood by a psychology which reduces this sensitivity to an individual pathology.
Underlying these concerns we hear the essential recognition that communal models for healing are needed now. This returns us to the question of whether or not we can "get along." We now live with the uncertainty and urgency embodied in this question. Our best response lies in leaning bravely into this question until, as the poet Rilke points out, we can "live the answer."
The question invites us to struggle together for insight into the psychological dynamics which create the cultural tensions and conflict that threaten us. Engaging with this question can lead to new psychospiritual insight and functional capabilities. My research has shown that these abilities can be awakened through an experience of communitas. Subsequent developments have shown that participation in a large group, employing a learning community approach, provides a social context where these capabilities can be further developed.
When individuals realize that their well-being is linked inextricably with the well-being of the whole, and they can see a way to develop the skills that provide them with a functional capacity for interdependence they will very often begin to practice community building as a form of psycho-spiritual discipline.
Turner described the social bond that arose from communitas as a "strong sentiment of humankindness." Practicing community means cultivating the conditions which can make an experience of humankindness real. When we practice community we invest our lives and our hope in a mutual effort to insure that we, and the generations to come, will know that we can all get along.
References

Bellah, R., Madsen, R., Sullivan, W., Swidler, A., Tipler, S., (1985), Habits of the Heart: Individualism and Commitment in American Life, Harper & Row, New York, NY.

Bohm, David, (1991), On Dialogue, David Bohm Seminars, Ojai, CA.

de Mare, Patrick, (1991), Koinonia: From Hate Through Dialogue to Culture In the Large Group, Karnac Books, London.

Friedman, Maurice, (1983), The Confirmation of Otherness: In Family, Community and Society, Pilgrim Press, New York, NY.

Goff, David, (1992), Communitas: An Exploratory Study of the Existential and Transpersonal Dimensions of a Psychological Sense of Community as Found in the Community Building Workshop™, unpublished dissertation, The Insitue for Transpersonal Psychology, Palo Alto, CA.

Hillman, James & Ventura, Michael, (1992), We've Had A Hundred Years Of Psychotherapy — And the World Is Getting Worse, HarperCollins, San Francisco, CA.

Macy, Joanna, (1991), World as Lover, World as Self, Parralax Press, Berkeley, CA.

Mindell, Arnold, (1992), The Leader as Martial Artist: An Introduction to Deep Democracy, HarperCollins Publishing, Newv York, NY.

Peck, Scott, (1987), The Different Drum: Community Making and Peace, Simon & Schuster, New York, NY.

Roszak, Theodore, (1992), The Voice of the Earth, Simon & Schuster, New York, NY.

Senge, Peter, (1990), The Fifth Discipline: The Art and Practice of the Learning Organization, Doubleday & Currency, New York, NY.

Turner, Victor, (1969), The Ritual Process: Structure and Anti-Structure, Cornell University Press, Ithaca, NY.

Being an artist carries with it a great potential and a great obligation...In a culture made up of images, sound, and stories created by artists who do not hold themselves accountable for that very culture, we have a set-up for destruction. Suzanne Lacy

Toward the One, the perfection of Love, Harmony and Beauty, the Only Being, united with all the illuminated souls who form the embodiment of the Message, the Spirit of Guidance.